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LANDSCAPES

Throughout both volumes of the history there are detailed descriptions of the impact that warfare has on the landscape.

Landscapes: Text
Landscapes: Video

YPRES

In Ypres city that spring not one single building was habitable, though many of them still retained the shapes of human dwellings.


The Battalion messes were all underground in cellars, a couple of which, with a hole knocked through the dividing walls, make a good anteroom; but their sole light came from a small window which also gave passage to the stove-pipe. A tired man could doze down there, in gross fuggy warmth and a brooding stillness broken only by the footsteps of small parties moving without ostentation till the triple whistle of the aeroplane-watchers sent feet scurrying loudly to cover.

Those who have known of both terrains say Verdun Salient, by reason of its size, contours, and elevation was less of a permanent tax on the morale than the flatness and confinement of Ypres. One could breathe in certain spots round Verdun; look out over large horizons from others; and solid, bold features of landscape interposed between oneself and the enemy. The thickness and depth, too, of all France lay behind for support. In the Salient it was so short a distance from Calais or Boulogne that one could almost hear the Channel threatening at one’s back, and wherever wearied eyes turned, forwards or flankwise, the view was closed by low, sullen rises or swells of ground, held and used in comfort and at leisure by an established enemy.


They reckoned time in the trenches by the amount of shelling that fell to their share. A mere passage of big stuff overhead seeking its butts in the town did not count any more than excited local attacks to left or right of the immediate sector; and two or three men wounded by splinters and odds-and-ends would not spoil the record of “a quiet day.”


Occasionally, as the tides and local currents of attack shifted, our guns behind them would wake up to retaliation or direct punishment. Sometimes the enemy’s answer would be immediate; sometimes he accepted the lashing in silence till nightfall, and then the shapeless town would cower and slide still lower into its mounds and rubbish-heaps.


Most usually a blow on one side or the other would be countered, it seemed to the listeners in the trenches between, exactly as in the prize-ring. But the combatants were heavy-, middle-, and light-weight guns, and in place of the thump of body blows, the jar and snap of jabs and half-hooks, or the patter of foot-work on the boards, one heard the ponderous Jack Johnsons arrive, followed by the crump of the howitzers, and then the in-and-out work of field artillery quickening to a clinch, till one side or the other broke away and the silence returned full of menaces of what would happen next time “if you hit my little brother again.”


A local and concentrated shelling of the Battalion’s second line one day, which might have developed bloodily, was damped down in three minutes, thanks to a telephone and guns that worked almost simultaneously. Nobody but themselves noticed it in the big arena.

Volume 2 March 1915

Landscapes: Text
Landscapes: Video

THE SOMME

By this date the battle of the Somme was six weeks old, and our troops had eaten several—in some places as much as five or six-thousand yards deep into the area.


Two main attacks had been delivered—that of the 1st July, which had lasted till the 14th, and that of the 14th, which went on till the end of the month.


From Serre to Ovillers-la-Boiselle the Germans’ front stood fast; from Ovillers-la-Boiselle to the junction with the French armies at Hardecourt, the first tremendous system of their defence had been taken literally a few score yards at a time, trench by trench, village by village, quarry by quarry, and copse by copse, lost, won, and held again from three to eight or nine times.


A surge forward on some part of the line might succeed in making good a few hundred yards of gain without too heavy loss. An isolated attack, necessary to clear a flank or to struggle towards some point of larger command, withered under enormous far concentrations of enemy guns, even as the woods withered to snapped, charred stickage.


At every step and turn, hosts of machine-guns at ground-level swept and shaved the forlorn landscapes; and when the utmost had been done for the day, the displaced Germans seemed always to occupy the crest of some yet higher down.


Villages and woods vanished in the taking; were stamped into, or blown out of the ground, leaving only their imperishable names.


So, in the course of inconceivable weeks fell Mametz and the ranked woods behind it, Contalmaison, Montauban, and Caterpillar Wood, Bernafay, Trônes Wood, Longueval, and the fringe of Delville (even then a charnel-house among shattered stumps), both Bazentins, and Pozières of the Australians.


The few decencies and accommodations of the old settled trench-life were gone; men lived as best they could in the open among eternal shell-holes and mounds of heaped rubbish that were liable at any moment to be dispersed afresh; under constant menace of gas, blinded with the smoke-screens of local attacks, and beaten down from every point of the compass either by enemy fire, suddenly gathered and loosed, or that of their own heavies searching, from miles off, some newly cleared hollow or skyline of the uplands where our troops lay indistinguishable from the skinned earth.

Volume 1 August 1916

Landscapes: Text

PERMISSIONS

The ruins of Ypres in 1919

By William Lester King - This image is available from the United States Library of Congress's Prints and Photographs divisionunder the digital ID pan.6a23352.This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing for more information., Public Domain, https://commons.wikimedia.org/w/index.php?curid=26995

Delville Wood

By John Warwick Brooke - http://media.iwm.org.uk/iwm/mediaLib//358/media-358345/large.jpgThis is photograph Q 4417 from the collections of the Imperial War Museums., Public Domain, https://commons.wikimedia.org/w/index.php?curid=39574943

Landscapes: Text
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